I applaud the torrent of criticism that has eclipsed Dapper Laughs over the last few weeks. I question myself – how did such a ‘comedian’ even rise to profundity? It strikes me as abhorrent that any woman, especially, would condone his crude, invasive and outdated sense of ‘comedy’. I’ve seen articles attempt to ‘support’ Dapper Laughs: why, if he is so terrible does he have such a large following? Apparently, logic steers one to the conclusion that, us ‘haters’ of Dapper Laughs are wrong, and of course rape jokes have now actually become pretty funny – of course. Doesn’t logic actually assert, that rather a crime of sexual violence against a woman now becoming humorous, that actually Dapper Laughs’ following is just as deluded as him. Surely, if raping a woman is so hilarious, wouldn’t the development of this strain of comedy also pursue the hilarity of men being subject of rape too? But that’s when we reach the real problem. Joking about raping a woman is fine, but raping men, that’s a step too far, that’s not ‘comedy’. So why then is the image of women being subject to the forceful violation of rape something that a comedian can approach as a topic for a merely ‘controversial’ joke? How can a woman’s pain be trivialised in such a way? Because she is a woman.
Who is the victim in all this? Is it not the women who are reminded of past encounters of sexual violence, who writhe with uncontrollable discomfort at even the mention of the term ‘rape’, who for them, such a ‘joke’ brings back vivid images of physical and mental invasion? But apparently it is Daniel O’Reilly who is the victim in all this. I can image how painful it must be to ‘retire’ such an abominable character, much worse than having someone viciously violate your whole person-hood for the sake of their momentary pleasure. Daniel O’Reilly’s jokes (let’s not pretend they’re not his despite the pitiful attempt at blaming it all on ‘character’) are an imitation of this – a violation to women, but for the momentary pleasure of who? -The audience? Him?
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